Memento Mori and Modern Medicine: A Study of the Artwork of Damien Hirst
Keywords:Death, Modernity, Medicine, Ontology, Damien Hirst
Death from the biomedical standpoint is a negative and technological issue. We need to be aware of death in order to have an authentic life and medical practice. Some philosophers and artists have shed some light on this dark side of modern medicine. This article is an interdisciplinary discussion on some of the conceptual art works of Damien Hirst which are focused on death and medicine. Hirst's installations and his critical point of view, which we have discussed in this essay, are some examples of how contemporary art can bring medical care closer to real-life human concern and disclose some ontological aspects of medical practice.
Ahmadi, B. (2002). Haid Grou and foundamental question. Tehran, Iran: Markaz Publication. [In Persian].
Lucie-Smith, E. (1995). Movements in art since 1945: issues and concepts (pp. 222). London, UK: Thames and Hudson.
Derrida, J., & Bass, A. (1982). Positions . Chicago, IL: University of Chicago Press..
Yalom, I. D. (1980). Existential psychotherapy. New York, NY: Basic Books.
Dominiczak, M. H. (2011). Chemistry, pharmaceuticals, and damien Hirst's pharmacy. Clinical Chemistry, 57(5), 790.
Foucault, M. (1975). The birth of the clinic: an archaeology of medical perception. New York, NY: Vintage.
Gadamer, H. G. (1996). The experience of death. In H.G. Gadamer (Ed.), The enigma of health: the art of healing in a scientific age (pp. 62, 64-67). Stanford, CA: Stanford University Press.
Hirst, D, Burn, G. (2001). On the way to work. London, UK: Faber.
Hirst, D. (1990). A Thousand Years. Image: Photographed by Roger Wooldridge Â© Damien Hirst and Science Ltd. All rights reserved, DACS 2012.
Hist, D (1991). I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now' (Booth-Clibborn Editions; Reduced edition, 2005.
Jopling, C. J (1990), A thousand years, glass, steal, MDF board, cow's head, fly zipper, bowels of sugar water, 84*168*84 ins, London, Photo Anthony Oliver.
O’Brien, E. (2013). Illness through the eye of the artist. The Lancet, 381(9867), 618-623.
How to Cite
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.